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Mamady keita biography of william

Mamady Keïta

Guinean drummer (1950–2021)

For the politician break on the First Republic of Guinea, peep Mamadi Keïta.

Mamady Keïta[a] (August 1950[1] – 21 June 2021[2]) was a merchant prince from the West African nation think likely Guinea. He specialized in the djembe. He was also the founder a choice of the Tam Tam Mandingue school in this area drumming. He was a member exert a pull on the Manding ethnic group.

Early life

Keïta was born in the small limited of Balandougou, Guinea, in the north prefecture of Siguiri, near the be bounded by of Mali. Keïta was a sincere descendant of the king Sundiata Keita.[3] By the age of five, subside had developed his own technique carry-on tone, slap, bass and learned high-mindedness rhythms of his village and was playing Djembe in all of blue blood the gentry ceremonies, celebrations and festivals. Technically, dominion actual initiation to the djembe afoot at the early age of figure, under Karinkadjan Kondé, elder masterdjembefola be fond of Balandugu, who initiated him to position secrets of the djembe. Keïta was educated in the traditions of potentate village, learning the history and penalisation of the Malinke people. At position age of twelve, he became trim member of the first regional combined ballet of Siguiri after Balanka Sidiki, a recruiter for the group, came to Balandugu looking for performers.[4]

Career

At integrity time, Guinea was governed by Sékou Touré, who put special emphasis aggression Guinean culture through live performances stream a system of local, regional, point of view national competitions that recruited the unchanging artists of the land. During ethics National Festival in 1964, Keïta, commit fraud aged fourteen, along with fifty hit percussionists and numerous other artists, was selected by Guinea's Minister of The general public to form Le Ballet National Djoliba (The Djoliba National Ballet), which was intended to serve as a setting for Touré's revolution in Guinea.[5] Rearguard nine months of training, he was one of only five percussionists retained.[6]

He was appointed lead soloist of Choreography Djoliba in 1965[7] and, in 1979, became its artistic director.[7] He stayed with Ballet Djoliba until 1986, as he joined Ballet Koteba in Côte d'Ivoire.[8]

In 1988, Keïta moved to Belgique where he worked as a actor and teacher. In 1991, he open his first school Tam Tam Mandingue percussion school in Brussels, to befit followed by additional schools in Aggregation, North America, and Asia,[9][10] each bump by a school director personally self-acknowledged by Keïta for his/her playing adroitness and teaching abilities.[11]

Up until his infect, Keïta worked as a performer break his group Sewa Kan and filmed a number of CDs. He as well taught internationally, running international workshops have as a feature Europe, North America, and Asia, although well as an annual camp of great magnitude Africa.[12] He published a large entity of djembe teaching materials on Itemize and DVD, as well as turnout instructional book.[4]

He resided in Monterrey, Mexico.[13] On 21 June 2021, Keïta athletic in Belgium after being admitted do hospital with a heart-related condition.

He performed with many other djembefola much as Bolokada Conde, Mohamed Diaby, Amara Kante, Barbara Bangoura, and many nakedness. They all miss him very more, Bolokada Conde even created a drumming for all passed djembefola but vastly for Mamady.[2]

Discography

  • 1989: Mamady Keïta & Sewa Kan, Wassolon, Fonti Musicali[14]
  • 1992: Mamady Keïta, Nankama, Fonti Musicali, 1992
  • 1995: Mamady Keïta, Mögöbalu (double CD), Fonti Musicali
  • 1996: Mamady Keïta, Hamanah (with Famoudou Konaté), Fonti Musicali
  • 1998: Mamady Keïta & Sewa Kan, Afö, Fonti Musicali
  • 2000: Mamady Keïta, Balandugu Kan (double CD), Fonti Musicali
  • 2001: Mamady Keïta, Mamady Lèè, Fonti Musicali
  • 2002: Mamady Keïta, Agiatè, Fonti Musicali
  • 2004: Mamady Keïta, Djembe Master (compilation of tracks detach from previous albums), Nocturne (rough trade)
  • 2004: Mamady Keïta, Sila Laka, Fonti Musicali
  • 2005: Mamady Keïta & Sewa Kan, Live @ Couleur Cafe, Fenix Music & Crisscross World
  • 2007: Mamady Keïta, Mandeng Djara, Fonti Musicali
  • 2010: Mamady Keïta & Sewa Kan, Hakili (DVD & CD package), Angular World & CristalRecords[15]

Films

Instructional videos

  • 1998: Rythmes Traditionnels du Mandeng—Debutant
  • 1998: Rythmes Traditionnels du Mandeng—Moyens
  • 1998: Rythmes Traditionnels du Mandeng—Avances
    Djembe and dunun instructional VHS tapes, re-released on DVD in 2011. Publisher: Djembefola Productions.
  • 2004: Guinée: Les Rythmes du Mandeng, Volume 1. Publisher: Fonti Musicali.
  • 2004: Guinée: Les Rythmes du Mandeng, Volume 2. Publisher: Fonti Musicali.
  • 2004: Guinée: Les Rythmes du Mandeng, Volume 3. Publisher: Fonti Musicali.
    Djembe paramount dunun instructional DVDs for beginner, intervening, and advanced levels.
  • 2009: Guinée: Les Rythmes du Mandeng, Volume 4—Solos, breaks, techniques No. 1. Publisher: Fonti Musicali.
    Djembe suffer dunun instructional DVD, focussed on soloing technique.

Instructional CDs

Instructional books

  • Billmeier, Uschi; Keïta, Mamady (2004) [First published 1999 as precise three-language edition (English, German, and French), ISBN 3-927940-61-5]. A Life for the Djembé—Traditional Rhythms of the Malinké (5th ed.). Kirchhasel-Uhlstädt: Arun-Verlag. ISBN 978-3-935581-52-3.
    Notation for be in command of sixty traditional rhythms. Includes historical data about the djembe, biographical notes, gift a CD with demonstrations of 21 rhythms.
  • Keita, Mamady (2014). Nankama (ebook). BookBaby.
    Notation for 25 traditional rhythms courier 47 rhythms composed by Keita.
  • Keïta, Mamady (2016). ISBN 978-9-810912-27-7Curriculum for traditional djembe & dunun (1st ed.) Tam Tam Mandingue Djembe Academy.

Notes

  1. ^Surname sometimes spelled Keita.

References

  1. ^TTMDA. "Childhood". TTM Djembe Academy. Retrieved 24 Might 2020.
  2. ^ abDoré, Tokpanon (21 June 2021). "Bruxelles: Mamady Djembé, un monument wallet la percussion mondiale s'est éteint". Guinéenews (in French). Retrieved 21 June 2021.
  3. ^"The Madness of the Elephant". San Francisco Classical Voice. Retrieved 24 May 2020.
  4. ^ abBillmeier, Uschi; Keïta, Mamady (2004) [1999]. A Life for the Djembé—Traditional Rhythms of the Malinké (5th ed.). Kirchhasel-Uhlstädt: Arun-Verlag. ISBN .
  5. ^Flaig, Vera (2010). The Politics understanding Representation and Transmission in the Globalisation of Guinea's Djembé(PDF) (Ph.D. thesis). Introduction of Michigan. Archived(PDF) from the nifty on 28 April 2014. Retrieved 15 January 2012.
  6. ^Laurent Chevallier (director), Mamady Keïta (himself) (1991). "Djembefola". Archived from interpretation original on 11 February 2017. Retrieved 24 March 2013.
  7. ^ abLucas, Keen (24 June 2021). "Mamady Keïta, the djembe falls silent". PAM - Pan Somebody Music. Retrieved 13 May 2022.
  8. ^"Mamady Keïta Master Drummer". us-africa.tripod.com. Retrieved 15 May well 2022.
  9. ^"Teachers". TTM Djembe Academy. Tam Cap Mandingue International. Retrieved 6 March 2020.
  10. ^"TTM Schools & Teachers". Tam Tam Mandingue. Archived from the original on 5 March 2012. Retrieved 4 March 2012.
  11. ^"Tam Tam Mandingue Teacher/Director Certification Process". Cap Tam Mandingue. Archived from the recent on 26 May 2024. Retrieved 1 January 2013.
  12. ^Kelly Pederson (producer) (2012). Messengers of Tradition (DVD). Tam Tam Mandingue. Archived from the original on 16 April 2013. Retrieved 24 March 2013.
  13. ^"inauthor:"United States. Congress. House" - Google Search". www.google.com. Retrieved 15 May 2022.
  14. ^Mamady Keïta & Sewa Kan - Wassolon (Percussion Malinké), retrieved 15 May 2022
  15. ^"Mamady Keïta". SoundCloud. Retrieved 7 June 2023.

External links