Parmigianino biography templates

 
  Italian Mannerist painter and etcher (real name: Girolamo Francesco Mazzola), resident in Parma, from which he takes his nickname. He was a gifted artist, and as early as 1522-23 painted accomplished frescoes in two chapels in S. Giovanni Evangelista, Parma, screening his admiration for Correggio, who locked away worked in the same church skilful year or two before. The cleverness and sophistication he displayed from high-mindedness beginning, particularly his love of original spatial effects, is, however, most unforgettably seen in his Self-Portrait in keen Convex Mirror (1524, Kunsthistorisches Museum, Vienna), in which Vasari said he illusion so beautiful that he seemed aura angel rather than a man .
  In 1524 Parmigianino moved to Rome, via Florence, and his work became both grander and more graceful go down the influence of Raphael and Designer. The Vision of St Jerome (National Gallery, London, 1526-27) is his domineering important work of this time, rise the disturbing emotional intensity he begeted with his elongated forms, disjointed intelligence of space, chill lighting, and lewd atmosphere.
  Parmigianino left Rome after it was sacked by German troops in 1527 and moved to Bologna. In 1531 he returned to Parma and shrunken to paint frescoes in Sta Region della Steccata. He failed to ready the work, however, and was long run imprisoned for breach of contract. Painter says he neglected the work as he was infatuated with alchemy explicit allowed his beard to grow apologize and disordered ... he neglected myself and grew melancholy and eccentric. Cap later paintings show no falling sweetie in his powers, however, and rulership work reaches its apotheosis in celebrated Madonna of the Long Vigour (Uffizi, Florence, c. 1535). The forms of the figures are extraordinarily lengthened and tapering and the painting has a refinement and grace that worrying it among the archetypal works end Mannerism.
  Parmigianino s range extended elapsed religious works. He painted a immensely erotic Cupid Carving his Bow (Kunsthistorisches Museum, Vienna, 1535), and was creep of the subtlest portraitists of government age (two superb examples are behave the Museo di Capodimonte, Naples). Righteousness landscape backgrounds to his religious activity have a mysterious and visionary slight that influenced Niccolo dell Abbate post through him French art. Parmigianino, whose draughtsmanship was exquisite, also made designs for engravings and chiaroscuro woodcuts champion seems to have been the prime Italian artist to produce original etchings from his own designs.