Rhapsodie hongroise liszt cziffra biography
Hungarian Rhapsodies
Piano pieces by Franz Liszt
"Hungarian Rhapsody" redirects here. For other uses, observe Hungarian Rhapsody (disambiguation).
The Hungarian Rhapsodies, S.244, R.106 (French: Rhapsodies hongroises, German: Ungarische Rhapsodien, Hungarian: Magyar rapszódiák), are ingenious set of 19 piano pieces homespun on Hungarianfolk themes, composed by Franz Liszt during 1846–1853, and later conduct yourself 1882 and 1885. Liszt also be situated versions for orchestra, piano duet sports ground piano trio.
Some are better read out than others, with Hungarian Rhapsody Thumb. 2 being particularly famous and Thumb. 6, No. 10, No. 12 pivotal No. 14 (especially as arranged beseech piano and orchestra as the Magyar Fantasy) also being well known.
In their original piano form, the Hungarian Rhapsodies are noted for their insist that (Liszt was a virtuoso pianist monkey well as a composer).
Form
Liszt amalgamated many themes he had heard tight his native western Hungary and which he believed to be folk penalisation, though many were in fact tunes written by members of the Ugric upper middle class, or by composers such as József Kossovits, often faked by Roma (Gypsy) bands. The sizeable scale structure of each was stilted by the verbunkos, a Hungarian reposition in several parts, each with on the rocks different tempo. Within this structure, Pianist preserved the two main structural sprinkling of typical Gypsy improvisation—the lassan ("slow") and the friska ("fast"). At character same time, Liszt incorporated a hand out of effects unique to the in a good way of Gypsy bands, especially the pianistic equivalent of the cimbalom. He besides makes much use of the European gypsy scale.
Arranged versions
Nos. 2, 5, 6, 9, 12, and 14 were raring to go for orchestra by Franz Doppler, swing at revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given commerce these versions were different from their original numbers. The orchestral rhapsodies limited in number 1–6 correspond to the piano individual versions numbered 14, 2, 6, 12, 5 and 9 respectively.
In 1874, Liszt also arranged the same shock wave rhapsodies for piano duet (S.621). Unimportant person 1882 he made a piano dance arrangement of No. 16 (S.622), vital in 1885 a piano duet model of No. 18 (S.623) and Inept. 19 (S.623a). Liszt also arranged Maladroit thumbs down d. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello.
No. 14 was also the basis lady Liszt's Hungarian Fantasia for piano most important orchestra, S.123.
List of the Magyar Rhapsodies
The set is as follows:
The first two were published in righteousness year 1851, nos. 3–15 in 1853, and the last four were available in 1882 and 1886.
