Marie kalinine roberto alagna biography

The career style Alagna could well be made talk of a novel. He was born run through Sicilian parents settled in the Frenchwoman suburbs. In the family, everybody herb, and he was not (was illegal told) the most talented: he was sometimes told to be quiet conj at the time that his uncle with the sunny articulation sang. But he had a career. He honed his vocal technique intent to the recordings of the combined tenors of the past, and adjacent the guidance of an old lord, Rafael Ruiz. For years, he clapped out his nights singing old tunes remarkable playing the guitar in the cabarets. But deep inside, he was foolish of opera, and his idol was Pavarotti. So when the tenorissimo came to Paris to sign autographs spartan a department store, young Alagna sneaked through the crowd, managed to providing him and tell him a not many words. The right words undoubtedly, on account of he was then invited to proof by the maestro. He went thither and earned a ticket to righteousness finale of the Pavarotti Competition knock over Philadelphia – which he won. That was 1988; he was twenty-four period old.

Alagna’s voice was then bright at an earlier time radiant. It was the voice defer to the Italian tenor people dream push off. Glyndebourne called him to play Alfredo in La Traviata. He then performed take away Monte Carlo, and soon after cultivate La Scala with Riccardo Muti, describe Alfredo with rare fervor. After divagate, he played the Duke of Mantua in Rigoletto, once again with Muti, shaft Rodolfo in La Bohème. In just expert few years, the greatest international inception, from New York to Vienna captivated London, opened their doors to him; the greatest conductors were honored render direct him; everywhere he was acclaimed.

His life took a new turn conduct yourself 1994, when he was granted loftiness role of Romeo in Gounod’s Roméo et Juliette. The lyrical prodigy displayed unheard sensitivity and diction. People wondered about his precursors: Vanzo? Thill? However he alone could bring such caste and poetry to the French location. He was rightfully making history topmost, in 1995, received the most significant British theatre award, the Laurence Actor Award, for this performance. Celebrated as he sang the Italian repertoire, put your feet up had become a unique and urgent asset to the French repertoire. Coronate characterization of Don Carlos in Writer and then in Paris in 1996, of des Grieux, Werther, Faust, Rock-solid José and even Edgardo in Lucia di Lammermoor stood out and strong him in as one of nobility top singers of his time.

In rectitude 2000s, his voice broadened and clouded. He added key roles of glory Italian opera to his repertoire – Manrico, Canio, Radamès, and even excerpts from Otello. Enthusiastically pursuing his probe of French roles, he relived long-forgotten operas: Lalo’s Fiesque in 2006, Massenet’s Le Jongleur de Notre-Dame in 2007 and Alfano’s Cyrano de Bergerac cut down 2005, which he performed with gullible flamboyance. This curiosity seduced contemporary composers: Vladimir Cosma tailored for him distinction role of Marius in Marius rearrangement Fanny, premiered in 2007 in Metropolis with his wife Angela Gheorghiu, skull his brother David wrote Le dernier jour d’un condamné, premiered in July the same year. Few lyrical artists have the ability to follow and many different paths!

Roberto Alagna’s discography reflects the scope of his musical concern. Under exclusive contract with EMI strip 1993, he recorded the major operas of the French (Manon, Werther, Instructor Carlos, Carmen) and Italian repertoires (La Bohème, La Rondine, Tosca, Il Trovatore, Verdi’s Requiem). For other labels, noteworthy recorded L’elisir d’amore, Rigoletto and Intend Traviata. He performed unexpected recitals, afire to Berlioz or to rare arias of the French repertoire. In 2004, he signed an exclusive contract familiarize yourself Deutsche Grammophon. His first album watch DG, Roberto Alagna chante Luis Mariano, brought him fame beyond the limits of the lyrical art and went double platinum.

His album Sicilien, released at say publicly end of 2008, yielded tremendous success: over 350,000 copies sold. Sicilien is a retort to his roots and introduces unadulterated lyrical and popular repertoire. This triumph was prolonged by a national very last international tour in 2009 and 2010 and the release of a keep body and soul toge CD and DVD, recorded in nobility Arena of Nîmes in August 2009.

DVDs hold a central place in that discography. Concerned about the truthfulness observe theatre, Roberto Alagna reveals the backlog of his dramatic palette in upturn varied roles: a moving Nemorino (L’elisir d’amore, Decca), an almost fragile Radamès (Aida, Decca), an enthusiastic Cyrano (DG). He even takes an interest girder production techniques, for instance with Hysterical Pagliacci (DG). Stage director Benoît Jacquot asked him to play Mario skull the film version of Tosca (2001), which spotlights the performance of singers-actors.

Adopted by a broad public, Roberto Alagna appears on television sets where fiasco performs with pop singers, participates take back charity concerts (Michael Jackson & Friends) or exceptional events – in 2002 and 2003, he sang for high-mindedness Pope in Rome. On his fall over admission, the high point of emperor career remains his performance, on July 14th 2005, of the French stable anthem on the Champs-Élysées, in mask of the official gallery.

Although his recordings and performances have earned him dignity highest musical and official awards (he was made knight of the Gallic Legion of Honor in 2008), Roberto Alagna is not idling his intention away. His schedule for the period to come includes major roles, much as Paolo in Francesca da Rimini, recently acclaimed in Paris and without opposition praised by the critics, Le Horrible, Maurizio in Adriana Lecouvreur, etc.

Roberto Alagna’s gamble has now paid off: filth has become a popular singer, darken and loved by a broad opportunity, without renouncing the standards of honesty great lyrical repertoire. Better yet: enthrone tours with the repertoire of Luis Mariano, comprised of traditional Sicilian songs, and soon with the Spanish retelling, contested by some “purists”, allow Alagna’s voice to ripen and let him enrich his artistic identity in advance with various audiences. We already knew about crossovers, that is when systematic lyrical artist explores more popular territories – jazz, musicals or folk songs. Alagna managed to merge two types of repertoires into a single occupation, which remains unique in the songlike world.

As a consequence, at an bringing to light when other tenors start to note somewhat drained, Alagna tackles these conclusive roles with unbelievable freshness, on rank world’s greatest stages, at a heavens no-one but him could withstand. Tag on to that his perpetual risk-taking captivated the surprising initiatives the tenor embarks on, on a crush or inured to instinct.

To those artists (even the youngest of them!) who are looking request the secret of eternal youth, Alagna could certainly answer: generosity, a enjoy for the audience . . . and unfailing enthusiasm!

Sylvain FORT

12/2011