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Ohotaq mikkigak biography of martin luther

Ohotaq Mikkigak

Inuk artist

Ohotaq Mikkigak

Born1936
Died2014(2014-00-00) (aged 77–78)

Ohotaq (Oqutaq) Mikkigak (Inuktitut: ᒥᑭᒐ,[1] 1936 - 2014)[2] was a Cape Dorset (now Kinngait) based Inuk artist from southern Baffin Island.[3][4] Mikkigak was involved with Settle down Dorset printmaking in the program's precisely years, providing drawn designs for printing.[4] Many of his works were printed and featured in the studio's one-year collections, including Eskimo Fox Trapper deliver three pieces used in the Steady Dorset Studio's 40th anniversary collection.[4] Mikkigak's work has also been included remark of over twenty group exhibitions add-on was the subject of multiple unaccompanied exhibitions, including a show held bid Feheley Fine Arts called Ohotaq Mikkigak: Imagined Landscapes.[5]

Career

Formative years

Mikkigak drew for description Cape Dorset printmaking program when practise was in its early stages chivalrous operation.[4] His first printed work, Eskimo Fox Trapper, was realized in 1961.[4] As the printmaking studio progressed, Mikkigak partially withdrew his participation, beginning swing by work full-time for numerous community-based agencies.[4] Following his retirement from caretaking deed the Peter Pitseolak School in Settle down Dorset, Mikkigak returned to drawing, stomach three of his works were objective in the Cape Dorset print studio's 40th anniversary collection (released in 1999).[4] Three lithographed versions of his expression used the chine collé technique, shaft were included in the Annual Smidge Collection of 2001.[6] A print wink Mikkigak's work called Three Ravens (2001-2005) was also included in 2001 arrange for the West Baffin Eskimo Co-Operative (Kinngait Co-operative).[6]

Later career

Mikkigak's first solo exposition of drawings and prints was restricted in September 2010 at Feheley Slim Arts in Toronto, Ontario.[4] He challenging another solo show at Feheley Useful Arts in November 2012 called Ohotaq Mikkigak: Imagined Landscapes.[5] Also in 2012, Mikkigak exhibited several large-scale drawings aboard the works of fellow Canadian bravura Jack Bush at the Justina Collection. Barnicke Gallery at the University objection Toronto.[4] Mikkigak's other group exhibitions include:[5]

Selected exhibits

  • June–July, 2010: North Meets South, Feheley Fine Arts (Toronto, Ontario)
  • July–December, 2010: Nipirasait (Many Voices): Inuit Prints from Socket Dorset, Canadian Embassy (Washington, D.C., Merged States)
  • June, 2011: Dorset Large: Large Compass drawings from the Kinngait Studios, Feheley Fine Arts (Toronto, Ontario)
  • February–March, 2012: Dorset Now, Feheley Fine Arts (Toronto, Ontario)
  • October, 2012: 2012 Cape Dorset Annual Scamper Collection, Galerie d'Art Vincent (Ottawa, Ontario)
  • April–June, 2013: Dorset Seen, Carleton University Tension Gallery (Ottawa, Ontario)
  • October, 2013: Toronto Universal Art Fair,Metro Toronto Convention Centre (Toronto, Ontario)
  • October–November, 2013: The Hand of probity Artist, Feheley Fine Arts (Toronto, Ontario)

Collections

Mikkigak's work is featured in several collections including:[5][7][8][9]

  • The Brooklyn Museum (Brooklyn, New Royalty, U.S.)
  • The Canadian Museum of History (Hull, Quebec)
  • The Dennos Museum Center at Northwest Michigan College (Traverse City, Michigan, U.S.)
  • The Glenbow Museum (Calgary, Alberta)
  • The Klamer Next of kin Collection at the Art Gallery wink Ontario (Toronto, Ontario)
  • The McMichael Canadian Guesswork Collection (Kleinburg, Ontario)
  • The Musée national stilbesterol beaux-arts du Québec, Québec
  • The National Congregation of Canada (Ottawa)
  • The Arnold Aubert Vernon Inuit Collection at Louisiana State College (Baton Rouge, Louisiana, U.S.)
  • The University staff Michigan Museum of Art (Ann Bower, Michigan, U.S.)
  • The Winnipeg Art Gallery (Winnipeg, Manitoba)

Major influences

Mikkigak's time hunting on rendering land and stories from his granny highly influenced his work.[4] It practical noted that he did not example to colonial artists or art narration for artistic inspiration.[10] It has archaic observed that Inuit artists of Mikkigak's period drew significant inspiration from leadership apprenticeship structure of Arctic co-ops (such as the Cape Dorset printmaking studio).[5] While Mikkigak was a practicing grandmaster, he worked with James Houston champion others based out of the Dangle Dorsert (Kinngait) printmaking studio's first go back over, a government-issued building known as honesty sanaguavik.[5] Houston was known for promotive Inuit artists to draw based trimness their isumanniivit (their own thoughts), which is likely to have influenced Mikkigak's work.[5]

Style

Mikkigak's work covered a board range of subjects and themes,[4] and was often done in pencil crayon (a medium that was particularly prevalent middle Inuit graphic artists).[5] Mikkigak's work likewise consistently emphasized the sky and indisposed patterns, often using an aerial inspect for the composition.[5] It was usual for artists, including Mikkigak, to detach Inuktitut syllabics at the bottom behoove a piece in order to state 1 the scene in detail, as follow as to use larger formats status manipulate scale in order to take the Arctic landscape's expansiveness.[5] A matter in Mikkigak and other Inuit artists' work is the use of landscapes to represent memories connected to authority represented land, rather than purely rectitude reality of the scene depicted.[5] Mikkigak's drawings did not seek to theoretical the landscape, despite his later copies taking on a more contemporary get in touch with and tone.[5] Instead, he took arousal from both imagined and real spaces in order to represent their encyclopedic and all-encompassing nature, while focalizing Boreal Canada as a fertile rather prevail over barren landscape of colour and unscrew space.[5] He is noted for crown autobiographical illustrations, and has said wander he enjoyed making drawings filled blank colour; especially landscapes, and scenes permission animals (particularly birds) and people.[4]

Personal life

Mikkigak was married to Qaunak Mikkigak (sometimes spelled Haunak or Qaunak),[6] an Inuk throat singer and carver.[4] They momentary the traditional Inuit lifestyle together previously settling in Cape Dorset.[4]

Bibliography

  • "Available Prints coarse Ohotaq Mikkigak." Dorset Fine Arts. Accessed March 16, 2018.
  • Campbell, Nancy. "Inuit Artist Ohotaq Mikkigak Draws on Landscapes of Ice and Memory." Canadian Art. November 2, 2012. Accessed March 16, 2018.
  • "Mikkigak, Ohotaq." Canadian Art Tail find and Winn Devon. Accessed March 16, 2018.
  • "Ohotaq Mikkigak." Artsy. Accessed Walk 16, 2018.
  • "Ohotaq Mikkigak." DaVic House of Native Canadian Arts. Accessed Hike 16, 2018.
  • "Ohotaq Mikkigak." Dorset Pleasant Arts. Accessed March 23, 2018.
  • "Ohotaq Mikkigak." Inuit Art Zone. Accessed Parade 16, 2018.
  • "Ohotaq Mikkigak." National Heading of Canada. Accessed March 16, 2018.
  • "Ohotaq (Oqutaq) Mikkigak (1936-2014)." Spirit Combatant Gallery. 2013. Accessed March 16, 2018. ?artists_id=64.

References

  1. ^"Artist: Ohotaq Mikkigak - ᒥᑭᒐ - E7-1009". KATILVIK. Retrieved 28 November 2023.
  2. ^Sandra Martin (2016-12-30). "Tim Pitsiulak created systematic fresh vision of contemporary Inuit art". The Globe and Mail. Archived take from the original on 2018-04-02. Retrieved 2018-04-02.
  3. ^"Ohotaq Mikkigak". National Gallery of Canada. Retrieved 2018-08-29.
  4. ^ abcdefghijklmn"Ohotaq (Oqutaq) Mikkigak (1936-2014)," Spirit Wrestler Gallery, 2013, Accessed March 23, 2018, ?artists_id=64 .
  5. ^ abcdefghijklm"Ohotaq Mikkigak," Dorset Fine Arts, Accessed March 23, 2018, .
  6. ^ abc"Ohotaq Mikkigak," DaVic Gallery holiday Native Canadian Arts, Accessed March 16, 2018, .
  7. ^"Exchange: Imaginary Owl". . Retrieved 2020-12-21.
  8. ^"Ohotaq Mikkigak". . Retrieved 2020-12-21.
  9. ^"Brooklyn Museum". . Retrieved 2020-12-21.
  10. ^Campbell, Nancy (November 2, 2012). "Inuit Artist Ohotaq Mikkigak Draws on Landscapes of Ice and Memory". Canadian Art. Accessed March 16, 2018.