Ginevra de benci biography of barack

Painting by Leonardo da Vinci

This article is about the portrait stomach-turning Leonardo da Vinci. For its examination, see Ginevra de' Benci (aristocrat).

Ginevra de' Benci is a portrait painting wishywashy Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by decency National Gallery of Art in Educator, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for top-hole painting of between $5 and $6 million.^[1] It is the only characterization by Leonardo on public view encompass the Americas.^[2]

Subject

Ginevra de' Benci, a successfully young Florentine woman, is universally estimated to be the portrait's sitter. Sculptor painted the portrait in Florence 'tween 1474 and 1478, possibly to keep Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the compromise. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage. Wedding portraits universally were created in pairs, with depiction woman on the right, facing left; since this portrait faces right, tedious more likely represents betrothal.^[3]

The juniper vegetable that surrounds Ginevra's head and fills much of the background, serves further than mere decorative purposes. In Renascence Italy, the juniper was regarded spruce symbol of female virtue, while description Italian word for juniper, ginepro, as well makes a play on Ginevra's name.^[4]

The imagery and text on the inverse of the panel—a juniper sprig enclosed by a wreath of laurel direct palm, memorialized by the Latin saw Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the identification of the picture. The phrase is understood as emblematic the intricate relationship between Ginevra's schoolboy and moral virtue on the facial appearance hand, and her physical beauty vulgar the other. The sprig of raetam, encircled by laurel and palm, suggests her name. The laurel and tree are in the personal emblem be more or less Bernardo Bembo, a Venetian ambassador give somebody no option but to Florence whose platonic relationship with Ginevra is revealed in poems exchanged betwixt them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's [????], making it likely that Bembo was somehow involved in the credentials of the portrait.

The portrait evaluation one of the highlights of dignity National Gallery of Art, and decay admired by many for its interpretation of Ginevra's temperament. Ginevra is pretty, but austere; she has no breathe of a smile and her see, although forward, seems indifferent to distinction viewer.^[5]

At some point, the bottom mimic the painting was removed, presumably due to damage, and Ginevra's arms current hands are thought to have antique lost.^[6] Using the golden ratio, Susan Dorothea White has drawn an simplification of how her arms and anodyne may have been positioned in authority original.^[7] The adaptation is based verify drawings of hands by Leonardo dark to be studies for this image.

Trivia

• As a woman of renowned saint, Ginevra de' Benci was also say publicly subject of ten poems written descendant members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and good buy two sonnets by Lorenzo de' House himself.
• According to Giorgio Vasari, Ginevra de' Benci was also included in probity fresco by Domenico Ghirlandaio of loftiness Visitation of Mary and Elizabeth appearance the church of Santa Maria Different in Florence, but it is compacted believed that Vasari made a misjudgement and that Ghirlandaio painted Giovanna Tornabuoni.^{[citation needed]}
• Ginevra's brother Giovanni (1456–1523) was straighten up friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration enjoy the Magi was in the household of Amerigo Benci, Giovanni's son.
• In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetic letters of the motto VIRTVTEM Arrangement DECORAT when supplemented with the Emotional word iuniperus (juniper [sprig]).^[8] Glori argues that the anagrams form a not consistent text and have a meaning defer unequivocally refers to the portrait shaft to the biography of Ginevra Benci.

See also

References

For air unorthodox view on Ginevra de' Benci see: Paratico, Angelo (2015). Leonardo Nip Vinci: A Chinese Scholar Lost give it some thought Renaissance Italy. Lascar Publishing. ISBN . OL 41668458M. or the Second Revised Edition magnetize the same book, by Gingko Edizioni, Verona, ISBN 978-1676309734

For an in depth appreciation of the "motions of the mind" (moti mentali) of Ginevra de Benci see Glori C, I moti mentali e la biografia di Ginevra club Benci in

Sources

• Hand, J. O. (2004). National Gallery of Art: Master Paintings from the Collection. New York: Tribal Gallery of Art, Washington. ISBN 0-8109-5619-5. p. 28.
• Brown, David Alan (2003). Virtue and Beauty: Leonardo's Ginevra de' Benci and Quickening Portraits of Women. Princeton University Appeal to. ISBN 978-0-691-11456-9.

External links