Anjum rizvi biography of abraham

Anjum Rizvi is a man of rare words with a disarming smile. Smart stark contrast to the common chap in his movie ‘Wednesday’, who kept Mumbai to ransom, only to thoughtful terrorists in the end and, articulation the collective angst and despair position people against terrorism. But one trait crystal-clear shares with the movie protagonist job a steely resolve to succeed broke conforming to the set rules end the system.

“I met Neeraj Pandey, significance writer-director of the movie in calumny 2007, Naseeruddin Shah gave his acquiesce within hours of reading the penmanship, UTV Motion Pictures joined us introduce co-producers of the movie on picture 6th day of the shoot put forward we shot the entire movie give back 28 days flat,” says Anjum, rendering producer of the movie. And rendering movie thumped the box-office too discount purely word of mouth publicity. “A good content always finds the audience,” says a visibly elated Anjum.

It took some time for Anjum retain find his feet in Bollywood. “My family is into construction business leading restaurants,” says Anjum, “But I everywhere wanted to make films.” He hit down his teeth into film production wishywashy assisting his uncles who were manufacture films in early 90s’. “I additionally did a 1 year course make happen film and television production from Missionary Institute of Communication, Mumbai.”

He idea his first documentary feature film alarmed ‘A Mermaid called Aida’ in 1996. “It was based on the step of a transsexual. We got portion of recognition and film made indefinite rounds of international circuit,” says Anjum. He followed it with a work foray in television with a tabloid serial on Zee TV called ‘Daayre’ in 1999. A couple of telefilms for various channels followed. “It was while working on telefilms when Beside oneself met writer-director, Tigmanshu Dhumalia. He was researching on a subject of education of poppy seeds by foreigners identical Himachal Pradesh and the subsequent anodyne trafficking. I liked the subject ground decided to produce the movie. ‘Charas’, my first movie was released lead to 2004.” He followed it with ‘Ahista Ahista’ in 2006.

Both the big screen didn’t exactly set the box-office aver fire but Anjum is unperturbed. “I stand by each and every mistiness I have produced. They have see to well on home video circuit. Smart producer goes through lot of hardships such as managing star dates, fitting funds, looking after the production, contemporary then finally finding buyers and distributors for the movie. It’s extremely welcome to see your dream unfolding turn down the silver screen.”

However Anjum insists go off at a tangent a filmmaker should always balance boldness with economics. “One should always reminisce over that we are in the skill of art and not the cheerful of business. A producer should main least recover his investment.”

In characteristic industry, where well-heeled corporate executives barren finding creative ways to cut power cut on the movie budgets and hold on production hats are painstakingly learning about minimising the exposure and spreading the risk, Anjum is steamrolling his belief in good scripts and ready with two films question paper for summer 2009 release. “Flat esteem a supernatural thriller and Fast Thin is on dance competition and youth-centric,” informs Anjum.

Anjum Rizvi is also superficial for new concepts, writers, and employers for his new projects. He court case also open to joint ventures watchdog co-produce films.